Carol White Biography
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In 2011 the play was re-released on DVD by 2 Entertain with audio commentary by Loach. Along with other Loach films, it is available to watch on Loach's YouTube channel. It is also available as a special feature on the 2011 Criterion Blu-ray and DVD release of Kes, another Ken Loach film. By coincidence, another charity for the homeless, Shelter, was launched a few days after the first broadcast.

She was born in Hammersmith, West London to working class parents. The play was written by Jeremy Sandford, produced by Tony Garnett and directed by Ken Loach, who went on to become a major figure in British film. Loach employed a realistic documentary style, using predominantly 16 mm film on location, which contrasted with the vast amount of BBC drama of the time, the bulk of which was entirely shot in a television studio. Union regulations of the time forced about ten minutes of Cathy Come Home to be shot in this way, with the material shot in a studio on electronic cameras being telerecorded and spliced into the film as required.
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Furthermore, as they spiral towards homelessness, Cathy and Reg are not aided by the authorities. Those who are better off view Cathy and her family, and those in similar circumstances, as delinquents. Among them was 1977’s The Squeeze, where her character is again subject to the voyeur’s gaze, this time during a humiliating strip that Upton’s book describes as a “jarring parallel with her real life”. A smattering of TV work came White’s way, including appearances in the US sitcom Diffr’nt Strokes.

As time has passed, it is apparent that participation in The Wednesday Play, be it writing, directing or acting, would prove to be a stepping stone for a career in drama and giving the artist credibility later on in their profession. In addition, the self-assured, beautiful, and young actress Carol White (1st April 1943 – 16th September 1991) would make a significant impact after her lead role in Cathy Come Home, aired Wednesday night 16th November 1966. White starred opposite Alan Bates, Dirk Bogarde and Ian Holm in the film adaptation of Bernard Malamud's The Fixer and then travelled to Hollywood in 1968 to make Daddy's Gone A-Hunting . She appeared in a Dean Martin western film, Something Big , and had major roles in Dulcima, starred alongside Sir John Mills and Stuart Wilson and Made , with the singer Roy Harper.
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Loach has just finished shooting Bread and Roses, a new low-budget film about the exploitation of immigrant office cleaners. White died, nursed by Steve, in an illness brought on by drink and drug abuse. This graphic, sympathetic depiction of a couple who become homeless in 60s Britain is still powerful. I watched just the eviction scene recently on TV and I felt intense anger at the injustice rising in me.

Quickly see who the memorial is for and when they lived and died and where they are buried. Verified reviews are considered more trustworthy by fellow moviegoers. The delayed release has also interrupted Ken Loach's plans to make a video archive of his early work available to the general public. The BBC licensed Cathy Come Home, which he made with producer Tony Garnett, to Red Pictures. The cause of her death is disputed, with some sources claiming she took a drug overdose, and others suggesting she succumbed to liver disease from chronic alcoholism. To celebrate the 50th anniversary of the release of the film, a theatrical adaptation of Cathy Come Home was staged at the Barbican Theatre in 2016.
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Up the Junction, Cathy Come Home and Poor Cow were all directed by Ken Loach. At an anniversary screening of 'Cathy Come Home', Ken Loach spoke of how the play had become an important part in making the debate on homelessness public. At the same event his producer, Tony Garnett, pointed out that the number of homeless in Britain had more than doubled "but Ken and I now live in much more expensive houses." Indeed, housing policy was only considerably reformed over a decade later with the passing of the Housing Act 1977.
She made a briefly triumphant move to the West End stage in the early 1980s in a production of Nell Dunn’s play Steaming. After initial rave reviews, White was asked to leave allegedly over erratic attendance and timekeeping. This coincided with the release of a candid ghost-written autobiography, Cathy Comes Home, and her tabloid kiss-and-tell of a life of affairs.
Carol White Famous memorial
ChronologyRelatedThe Wednesday PlayCathy Come Home is a 1966 BBC television play about homelessness. It was written by Jeremy Sandford, produced by Tony Garnett and directed by Ken Loach. A 1998 Radio Times readers' poll voted it the "best single television drama" and a 2000 industry poll rated it as the second-best British television programme ever made. Filmed in a gritty, realistic drama documentary style, it was first broadcast on 16 November 1966 on BBC1. The play was shown in the BBC's The Wednesday Play anthology strand, which often tackled social issues. In a career that spanned over forty years Carol became a star on British Television in 1965 with her portrayal of a pregnant mother in a grim story called "Cathy Come Home" and "Poor Cow".
She was previously married to Mike King, Stuart Lerner and Mike Arnold. Carol White was born on 1 April 1943 in Hammersmith, London, England, UK. She was an actress, known for Poor Cow - geküßt und geschlagen , The Wednesday Play and Some Call It Loving . In 2003 the play was released on VHS and DVD by the British Film Institute with an audio commentary by Loach, and original production documentation .
Most viewers at the time would have shared these prejudices - but the film showed them that there, but for the grace of God, they could go too. The film is plotted like a Greek tragedy - the couple's decline from prosperity is gradual at first, then accelerates horrifically. Unlike a Greek tragedy, however, the characters are not the architects of their fate.

Though it was not connected to the programme, "the film alerted the public, the media, and the government to the scale of the housing crisis, and Shelter gained many new supporters." Many scenes were improvised, and some include unknowing members of the public, such as the final scene in which Cathy's children are taken from her at a railway station (none of the passers-by intervened). White’s acting star burned bright and briefly, a snapshot of life in a very specific time and place. Women of her generation were liberated by a relaxing of society’s attitudes towards sex that went beyond the confines of man/woman/marriage but could also be burned by their access to the new contraceptive pill. Her characters told the cautionary tale of a million ‘Battersea Bardots’, embracing new freedoms and testing their limits to crashing point. In his chapter on White in his book Fallen Stars, Julian Upton says that White made a “slate of worthless films” in her Hollywood period which ultimately, some believed, lost her her artistic credibility.
They go to a railway station, where Cathy's children are taken away from her by social services. As Cathy Come Home was being filmed around Battersea, Bruce Kenrick and Des Wilson were founding Shelter, the charity that still exists today in assisting the homeless or people trying to avoid being homeless. Cathy Come Home helped establish Shelter's profile, and contrary to belief, Shelter was not created after Cathy Come Home; it was already established.
They make mistakes, but their punishment is out of all proportion. They are the victims of a harsh and unfeeling system - but most of all of the hostile attitudes of their fellow citizens towards the homeless. In 2005 it was named by Broadcast as the UK's most influential TV programme of all time.
The majority of the British public, who didn't live in city centres, had no idea that so many were 'not having it so good’. Extracts from various sources used to compile essays on her over the years speak of intermittent difficulties including with drink and drugs. Her sons, interviewed during a delay to the release of Cathy Come Home on DVD in the 1990s, alluded to her generous nature having been taken advantage of during her lifetime. She continued working regularly, and drew attention for her performances in the television version of Nell Dunn's Up the Junction . She followed this success with roles in Cathy Come Home and the films Poor Cow , based on another Nell Dunn book, and I'll Never Forget What's'isname .

In the light of public reaction to the film, and following a publicity campaign led by Willam Shearman and Iain Macleod highlighting the plight of the homeless, the charity Crisis was formed the following year in 1967. One commentator called it "an ice-pick in the brain of all who saw it". The play produced a storm of phone calls to the BBC, and discussion in Parliament.
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